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in the composition of 1648 he is seen frontally
some signs of handling
from the galleries of New York to those of Tokyo
built with a loose and vibrant brushstroke that became his unmistakable signature
off-text plate from the folder Jazz in the second edition edited by Édition Anthèse
FONTANA LUCIO, Concetto spaziale Rosso, 1965 sculture in the composition of 1648Perfect impression in the second edition printed for the gallery il Quadro di Biella and published by Silvio Zamorani, Turin in 1982. First edition Prent, Utrecht, 1965. Perfect preservation, with untrimmed margins. Bibliography Lucio Fontana: engravings, graphics, multiples, publications, edited by Camillo Rigo and Harry Ruh, Ed. Reverdito, Trento, 2007, p. 124 ref. S 7.
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